Wayang Golek began to develop with Sundanese as a dialogue. The Wayang Golek art began to develop in West Java during the expansion of the mataram sultanate. At that time, the Wayang Cepak performance still used Cirebonese in its dialogue. According to legend, Sunan Suci used this Wayang Cepak to spread Islam in the community. Initially, the Wayang Golek art emerged and was born in the north coast of the island of Java especially in Cirebon, the Wayang used is the Wayang Cepak in the form of a papak or flat head. The history of the Wayang Golek began in the 17th century. Wayang Golek (wooden puppet) performance, Indonesia In return for the acknowledgment, UNESCO required Indonesians to preserve the tradition. On November 7, 2003, UNESCO designated Wayang the flat leather shadow puppet ( wayang kulit), the flat wooden puppet ( wayang klitik), and the three-dimensional wooden puppet ( wayang golek) theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity. Today, wayang golek has become an important part of Sundanese culture. Wayang Golek is very popular in West Java, especially in the Pasundan land area. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art made of wood. Wayang golek ( Sundanese: ᮝᮚᮀ ᮍᮧᮜᮦᮊ᮪) is one of the traditional Sundanese puppet arts from West Java, Indonesia. Wayang Kulit, Wayang Golek, Wayang Klithik Performing arts, Traditional craftsmanship A dalang (puppeteer) playing Ghatotkacha character on the stage
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